Bildung

A sense of fulfilling one’s nature or purpose in response to the challenges of a particular historical and societal context.

Our understanding of the world is not a spectator sport, but more like an active ingredient in societal renewal.

Bildung is about our responsibility for and participation in an evolving process of social maturation that reimagines culture, technology, institutions and policies for the greater good.

Bildung entails a dynamic world view that values independence of mind and spirit grounded in ecological and social interdependence.

These qualities of heart and mind are not optional extras for the transition to a better world:

  • how well we learn to perceive and feel and know differently,
  • our capacity to question our assumptions,
  • our inclination to empathise with strangers,
  • to relate wisely to what is old and new,
  • to perceive the relationship between parts and wholes

Our task is not so much to “be the change we want to see in the world”, it rather is to become the change we want to see in the world.

Jon Amos Comenius is considered by many to be the father of the idea of universal or democratic education. A Czech philosopher and theologian who lived from 1592 to 1670, he declined the offer to be President of Harvard University. His genius lay in grasping that since learning is as natural as breathing or eating or sleeping, education should be seen as an aspect of nature’s formative process; and since nature is often experienced as sacred, and we are part of nature, an organism’s lifelong disposition to learn is the wellspring of meaning and purpose in life.

The authors of The Nordic Secret, Lene Rachel Andersen and Tomas Bjorkman argue that Bildung lies at the heart of their story of how the Nordic countries developed from poor agrarian and mostly authoritarian societies, to affluent, stable and relatively happy social democracies. They encapsulate the idea as follows:

“Bildung is the way that the individual matures and takes upon him or herself ever bigger personal responsibility towards family, friends, fellow citizens, society, humanity, our globe, and the global heritage of our species, while enjoying ever bigger personal, moral and existential freedoms. It is the enculturation and life-long learning that forces us to grow and change, it is existential and emotional depth, it is life-long interaction and struggles with new knowledge, culture, art, science, new perspectives, new people, and new truths, and it is being an active citizen in adulthood. Bildung is a constant process that never ends.”

The notion that we become ‘more’ human through various forms of maturation or development lies at the heart of Bildung, and sets it apart from other forms of education. This notion has many intellectual forebears and Hegel is certainly one of them. In The Phenomenology of Mind he writes:

“The spirit is never at rest but always engaged in ever progressive motion, in giving itself new form.”

Returning to Bildung as praxis, the profound interplay of biological, psychological, social and spiritual features of life is reflected in a line from the classic 1943 text, Education through Art, by Herbert Read:

“The aim of imaginative education…is to give the individual a concrete sensuous awareness of the harmony and rhythm which enters into the constitution of all living bodies and plants, which is the formal basis of all works of art, to the end that the child, in its life and activities, shall partake of the same organic grace and beauty. By means of such education we instil into the child that ‘instinct of relationship’ which, even before the advent of reason, enable it to distinguish the beautiful from the ugly, the good from the evil, the right pattern of behaviour from the wrong pattern, the noble person from the ignoble.”

Source: Why sustainable prosperity depends upon reimagining education | Essay by Jonathan Rowson · CUSP­

A healthy society that is attuned to nature and other sources of intrinsic value depends upon making this educative process the axis upon which society turns.

Piaget, J. (1993) John Amos Comenius Prospects (UNESCO, International Bureau of Education), vol. XXIII, no. 1/2, p. 173-96. Available Online

Toy trends 2019

The Spielwarenmesse know the world of toys.

Sharing their insights, they have identified three industry trends for 2019: “Ready, Steady, Play!”, “The WOW Effect” and “Toys 4 Kidults”.

Ready, Steady, Play! – physical activity through play

Our lifestyles are becoming ever more sedentary thanks not least to smart solutions such as mobile phones and tablets and everyday aids like lifts and escalators. All too often, this culminates in a lack of physical activity, poor coordination and slower reactions. This can be countered by toys and games that encourage kids to engage in physical activity whilst having fun.

The WOW Effect – a big surprise

The good-old lucky bag has been entertaining young and old for generations. Not knowing what’s inside adds to the excitement right to the end. More and more manufacturers are delighting children by adding an element of surprise to their products. It may be the packaging that conceals which collectable has been bought or a product that only reveals its functions and play options on closer inspection.

Toys 4 Kidults – for the young at heart

Kidult is a concoction of the words kid and adult. The new term describes adults that love things usually associated with children. The Toys 4 Kidults trend reminds us that toys are not just reserved for children but can still be enjoyed by the older generation. The possibilities are endless, ranging from decorative toys and sophisticated construction sets to rare collectables and retro-licences.

Further information about the trends 2019 can be found at www.spielwarenmesse.de/en/trends.

Perspectives on Play

‘At this age play is never trivial; it is serious and deeply significant.It needs to be cherished and encouraged by the parents for in his free choice of play a child reveals the future life of his mind to anyone who has insight into human nature’ Froebel in Lilley 1967:84

Edinburgh Froebel Network Conference: Gifts for Our Future 10: Perspectives on Play

Saturday 22nd September 2018, 10am-4pm

Conference welcome from Professor Tina Bruce CBE, Author and Early Years Specialist

Keynote speakers;

Creativity and Creative Thinking – Dr Sue Robson, Honorary Research Fellow, University of Roehampton

Play Culture in a Changing World re-visited – Marjatta Kalliala, Professor, University of Helsinki, Finland

Locating Play Today – Suzanne Flannery Quinn, Senior Lecturer of Early Childhood Studies, University of Roehampton, Froebel College

Like Child’s Play

‘For me, colour is pure thought, and therefore completely inexpressible, every bit as abstract as a mathematical formula or a philosophical concept’ Daniel Buren

Like Child’s Play is inspired by German educational theorist Friedrich Wilhelm August Fröbels. Consisting of 100 blocks, arches, triangles and pediments, Buren plays with scale so that the objects, which, as children we towered over now dwarf us. Throughout his career, Buren has created artworks that complicate the relationship between art and the structures that frame it. His work questions how space can be used, appropriated, and revealed both physically and socially.

Daniel Buren is recognised as one of France’s foremost contemporary artists, he has exhibited at the Venice Biennale, winning the Golden Lion in 1986. His work has been the focus of exhibitions at the Centre Pompidou in Paris and the Solomon R Guggenheim Museum in New York. Buren’s career spans five decades of interventions, controversial critical texts, thought-provoking public art projects and engaging collaborations with artists from across generations.

Source: Like Child’s Play

Cubby House

The Kids Under Cover Cubby House village was once again a strong drawcard for visitors to the Melbourne International Flower and Garden Show.

Five building and architectural teams built their dream cubbies for the 2016 Kids Under Cover Cubby House Challenge. The cubbies were judged by a panel of experts and then auctioned during a fundraising event on the opening night of the Show.

The creativity and thought which went into the designs was inspiring and spot-on, if the enthusiasm of the children exploring them was any indication.

The Cubby House Challenge & auction raises money for Kids Under Cover, helping homeless and at risk young people. View the amazing 2016 cubby houses!

Source: Kids Under Cover 2016 Cubby House Challenge & Auction

Geomag

alert_red Warning: CONTAINS STRONG MAGNETS. Keep away from sensitive devices such as credit cards, computers, magnetic media and medical devices like pacemakers.

Geomag’s Kor Eggs are 3D spherical magnetic playsets with 55 fully playable pieces, that quickly and firmly attach through the wondrous power of magnetism. The Kor Egg offers limitless creations.

Like all of Geomag’s award winning products, the Kor Egg is Swiss made to international safety standards.

Geomagworld SA has fostered simultaneous learning and creativity since 2008. All Geomag products are designed, developed, and produced in Switzerland and follow the highest European and American safety and quality standards.

At Geomag, their priority is designing toys that amuse and stimulate children’s sense of fantasy, curiosity, and creativity. Helping young minds hone their abstract problem solving and complex reasoning skills is crucial for their transition into functioning adults, and all Geomag products reflect that mentality.

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Softened peas and sharpened sticks were used by Friedrich Froebel for children to make structures.

BRIO Builder

BRIO Builder is a unique, wooden based construction system where the child is the constructor!

Junior builders can create sturdy models with realistic details by using the interchangeable play pieces.

Beyond bricks and sticks, Brio Builder make things a child can actually play with!

Real construction, not just simple snap together; comes complete with a hammer, screwdriver, pliers and a wrench. Build a race car, jet plane, construction vehicle and more.

Your adventure is as broad as your imagination

• Helps promote creativity, imagination, fine motor skills and open ended play
• A fun way to practice hand eye coordination.

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BRIO Builder encourages children to build their own toys – either from their own imagination or from model pictures. When building, children exercise a number of skills; learning to sort and see patterns, all while making sense of the world around them.

Instruction manuals for all BRIO Builder products.

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Praxis

Praxis may be described as a form of critical thinking and comprises the combination of reflection and action.

Praxis can be viewed as a progression of cognitive and physical actions:

  1. Taking the action
  2. Considering the impacts of the action
  3. Analysing the results of the action by reflecting upon it
  4. Altering and revising conceptions and planning following reflection
  5. Implementing these plans in further actions

This creates a cycle which can be viewed in terms of educational settings, learners and educational facilitators.

Praxis has been described as:

“doing something, and then only afterwards, finding out why you did it”

Few educators speak of praxis. While praxis may not be part of many workers overt vocabulary, practice, is. What is praxis and why should educators be concerned with it?
Few educators speak of praxis. While praxis may not be part of their vocabulary, practice, is. What is praxis and why should educators be concerned with it?

Praxis is not simply action based on reflection.

It is action which embodies certain qualities. These include a commitment to human well being and the search for truth, and respect for others. It is the action of people who are free, who are able to act for themselves.

Praxis is always risky. It requires that a person ‘makes a wise and prudent practical judgement about how to act in this situation’ (page 190, Carr, W. and Kemmis, S. (1986) Becoming Critical. Education Knowledge and Action Research)

Tegu

Magnetic Wooden Building Blocks

alert_red WARNING – This product contains small magnets. Swallowed magnets can cause complications leading to serious infections and death. Seek immediate medical attention if magnets are swallowed or inhaled.

Brothers Chris and Will Haughey began with the simple notion that Honduras needed businesses which offered living wage jobs. Home to beautiful hardwoods, the country could have been the perfect spot for sustainably manufacturing any number of wooden products.

The brothers were inspired by classic wooden toys. Tegu blocks inspire children while addressing unemployment, neglected natural and human resources, and the need for entrepreneurship in Honduras.

“Children use toys to articulate meaning and substance,” says Will, explaining that blocks are the perfect medium because you can stack them into anything you want.

Tegu is positioned more as a high end specialty toy. “It’s definitely a niche product,” said Chris Byrne, who is known as “The Toy Guy” at a website that tracks the toy industry, “And there’s nothing like it in that niche.”

The innovative toys are “wonderfully tactile” and feel great to touch, Byrne said. ” They are kind of a work of art in themselves”, he said, “Something he would not be afraid to put on his coffee table”.

“Some parents like the idea of teaching their children about social issues through toys”, Byrne said. “In addition to the fun of play, it reinforces global responsibility.”

The blocks, which hearken back to traditional play gifts designed by Friedrich Froebel in their simplicity and craftsmanship, seek to unlock creativity in play by avoiding the overstimulation and prewritten scripts that come with so many elaborate mass produced toys.

The first building gifts designed by Friedrich Froebel

Chris and Will Haughey cite research linking imaginative “free play” to important cognitive development, and they seek to use Tegu blocks to open imaginative possibilities and facilitate long term learning.

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Chris Haughey first travelled to the Honduran capital of Tegucigalpa in the spring of 2004, to work with a group that was educating children living and working in an unregulated landfill used by the city as a giant dump. Shocked by a degree of poverty he had never witnessed firsthand before, Chris emailed his investment banker and hedge fund analyst brother Will and together they began dreaming of ways to bring a little of the kingdom of heaven to the impoverished nation of Honduras.

“We came from the capitalist mindset and were convinced we could do something to help,” Will noted in a Daily News interview. “Obviously we wanted to make money, but we also wanted to positively impact the local community.”

The brothers set about establishing a factory in Tegucigalpa seeking to bring “world class employment standards” by offering living wages and prioritizing big picture career growth over merely task based jobs to Honduras, the second poorest nation in Central America.

Toymaker

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This building brick is one of the first designs by Kurt Naef.

Each with eight angled “teeth”, building bricks can be wedged together to form staggered constructions such as bridges and towers, which can be built even wider at the top than at the base.

As very sophisticated constructions are possible, the creativity of each child is constantly stimulated.